信息来源：eWeek

 

 

 

 

 

 

看过iriver S10腕表配件以及创新Zen Stone Plus的朋友，一定被他们光鲜的外表和大胆的设计所惊叹不已。

 

继他们之后的这款由True Inc.和Propeller Inc.两家公司共同设计的PMP概念手机，结合了可视通话、GPS导航、Web网络浏览、游戏等功能。可谓是一款不错的作品。

 

信息来源：砸缸

你的头发如果没有定型的话，一旦起风就会被吹得乱七八糟的。

 

不过有时候也是一种style, 我暂且称它为疯狂的style吧。呵呵。

 

目前来自Michael Jantzen的这款楼阁概念设计就涉及到这种style.看看下面的图片吧。

 

 

这个是没有风的样子

 

 

这个是起风后的样子

 

细心的朋友一定看出连房子的门都随着风改变了位置。据设计者说，该楼阁由一种轻便的材料制成，随风转动并产生电能供楼阁夜间照明使用。除此之外，住户们还可以改变楼层的转动，从不同角度欣赏附近的风景，真可谓其乐无穷啊。

 

不过就我个人而言，连房子的门都会随着转动，我看那些晚上喝酒的人可要小心了，喝醉是小，找不到门回不了家可就麻烦大了。：）

 

信息来源：walrus

在睡觉的时候你都把你的Baby放在什么位置呢？

 

NO.1：放在两个人之间

 

这种做法是最最错误的。因为你的BABY可能因为你和你丈夫呼出来的二氧化碳窒息而死。

 

NO.2：放在其中一个人的旁边

 

这种做法总体较前面的做法来说，要好很多。但不好的是限制某个人转身的空间。你在睡觉的时候总是担心自己一个不小心压到你幼小的BABY。

 

NO 3：放在离大床不远的小床上。

 

这个做法就更好了。但缺点是晚上睡觉的时候，一旦你的BABY一哭或者一闹，你就会很不情愿的起床并下床，甚至走上一小段路去做你剩下的解决工作。尤其是在寒冷的冬天，这种工作就更加地讨厌。

 

那什么样的位置才是最合适的呢？看看下图吧。

 

 

呵呵。想法不错吧。这款由Manuela Busetti | Andrea Garuti设计的婴儿床是不是解决了上面所有的问题呢？

 

如果你是一个非常爱家，爱你BABY的妈妈，就去买一个吧。

 

信息来源：bigchief

 

 

 

这款是由土耳其 Garanti 银行和万事达信用卡公司联合打造的paypass-enabled手表.

 

你可以在看时间的同时查看你的信用卡消费情况。此外你还可以听MP3，video,录音以及拍照。可谓手表和手机2合1。

 

看到这么酷的手表你难道不心动吗？那就赶紧行动吧。

 

信息来源：engadget

 

2007年要问动作片谁最厉害，自然要属神奇四侠2了，刚上映不久，就拿下了票房总冠军，真的是不可思议。

 

身怀超能力的四个美女帅哥跟可恶的"毁灭博士"又一次演绎了一场精彩的故事。

 

如果你是他们的FANS，记得千万不要错过哦：）

 

信息来源：砸缸

 

天啊，好多啊，自己看剩下的视频好了。呼呼~~~~~~

 

信息来源：Magic Uproar

 

上面这副图，本人的想法是，清晨一个小孩来水边洗头，突然发现丛林有人经过，他吓了一跳，匆忙间抬起头来，摆好应战的架势。呵呵。不管怎么说，摄影师这次抓拍的时机掌握得真是恰到好处。从水面到头这段美丽的弧线可谓清晰可见。乍一看去感觉这孩子倒有点泰山的味道。你说呢？：）

 

信息来源：A Walk Through Durham Township, Pennsylvania

First things first, we need a 'Before' shot. I quickly scanned the net for something appropriate and came up with the following:



A pretty girl, with some skin blemishes, the perfect candidate for my tutorial. Now let me say right from the beginning, I don't think this girl needs any airbrush treatment - but for the sake of this tutorial, we'll assume that she is a client who has requested it.

Step 1

After opening our image up in Photoshop, the first thing we will do is to use the Heal Brush to remove any obvious marks or blemishes. You can be as thorough as you like here, as the cleaner the skin is to start with, the better the results at the end. Use an appropriate brush size (quite small) in order to sample and brush away the blemishes without losing any important detail.



Step 2

Once you are finished with the Heal Brush, duplicate the layer and apply the Dust and Scratches filter.

Filter > Noise > Dust & Scratches

For this example, I used a radius of 5 pixels and a threshold of 0. You can adjust these to suit your image as needed. The result you are looking for is a creamy blend of features, without too much banding.



Step 3

The next filter we are going to use is the good old Gaussion Blur. This will remove any banding that might have occurred in the previous step, and give the whole image a creamier complexion.

Filter > Blur > Gaussion Blur

I used a radius of 2 for this example. Again, adjust as appropriate for each image.



Step 4

The final step in preparing our model's new complexion is to add some texture. We all know that human skin is not generally a creamy plastic looking substance, so by adding some noise we will give the process a more realistic look.

Filter > Noise > Add Noise

I used an amout of 0.7% noise, distributed uniformly with Monochromatic selected. As always, adjust to suit your image.



Step 5

Ok! Our model's new 'skin' is now ready to use.

Add a layer mask to the layer we have been filtering and fill it with black. This will essentially cause the image to disappear and the layer beneath (our original) will show through. Don't worry - it's still there, it's just been hidden or 'masked'.



Step 6

Now comes the fun part! In this step we get the 'paint' the models new skin on. It is at this stage that a steady hand and attention to details comes to the fore.

Select the Brush Tool and make sure your colour selected is White. I initally chose a brush size of 30 pixels and a hardness of 0%. You will need to adjust the size of your brush as you progress over the image in order to fit into the tight corners etc.

The aim of the game at this step is to paint the 'new and improved' skin over the original skin, without interfering with the other detail we want to retain such as hair, eyes, mouth etc.

If you do accidently paint over something you didn't want to, simply change the brush colour to black and you can erase your errant work again.



Step 7

Once you have finished your 'painting' you should have an image and layers pallette that appears something like this:



Step 8

Now for some minor cosemtic changes. Our model appeared a little red skinned (perhaps too much sun) so I need a quick way to balance the colour out a little. I will simply add a Hue/Saturation Adjustment Layer . Just a minor tweak by increasing the Hue slider by 6 points will even out the colour in this example.

Layer > New Adjustment Layer > Hue/Saturation



Step 9

Now we will add another adjustment layer, but this time use a goold old fashioned Photo Filter. I chose Sepia with a density of 50% whilst preserving Luminosity. This will further settle the colours in our image and give a more realistic skin tone.

Layer > New Adjustment Layer > Photo Filter



Step 10

The bulk of our work is now done, but we are going to take a detour for a moment to liven up our model's eyes who's brightness may have suffered in our previous two steps.

We will created a new layer and make a circular selection to match our model's eye. We then simply fill the layer with a green colour of our choice and set the layer to Overlay.



Step 11

We then need to add a Layer Mask to our new inner eye and mask away (using a brush with black colour selected) the green that overlaps where it shouldn't.

Once we are happy with the shape of the new inner eye, we will reduce the opacity of the layer to around 30% to give a more natural colour.



Remember to repeat this process for both eyes!

Step 12

The final process we will apply is to sharpen our image a little bit. Instead of using the normal Unsharp Mask filter, we will opt for a much better process, albeit a little more complicated for the first timer.

First up we need to duplicate our original layer. Simply drag the original layer onto the new layer button on the layers pallette - that will do the trick. Set this new layer to Overlay the original layer.



Now apply a High Pass filter to the new layer.

Filter > Other > High Pass



I used a radius of 23.2 pixels, but the main objective here is to get your preview to look a fraction over-sharpened.

Once that filter is applied you can adjust the opacity of the layer and it will increase/decrease the level of sharpening. A very handy layer indeed! I ended up with an opacity of 30%



ALL DONE

Wow, we've made it. What a marathon...

Our finished product should look something like this:


 

文字来源：tutorialdash

以下设计出自Naoto Fukasawa: Intuiting function from form这篇文章。

 

1.会发光的瓷砖

 

 

1998年为日本INAX Corporation设计的Tile Light，既是瓷砖也是壁灯。这是他早期此领域的一个实验，相对于他目前从事的一个研究项目"intelligent wall"，即关于设计未来家庭，如何整合各种产品和环境。

 

2. 未来工作空间

 

 

2001年设计的Personal Skies，也无需多介绍，介绍IDEO的书中提到很多，Naoto Fukasawa和IDEO畅想的未来工作空间，每个人可以定义自己的工作空间。

 

翻译来自：ID 公社

 

天啊，这是火星生物吗？怎么长得跟仙人掌似的。毛毛的，刺刺的。-_-|||

 

不要在演了！

 

以上图片是花粉小颗粒在显微镜放大500倍后所呈现的景象。有意思吧。

 

不过话说回来，如果一个人的眼睛能够把物体放大500倍的话，那就真的是见鬼了。：）

 

信息来源：diggr

 

这是什么？骨灰盒吗？市面上有卖吗？

 

有卖啦。而且很贵了。要不要来一个呢？-_-|||

 

我呸呸呸呸,,,,,,,,,,,,,

 

不要胡说八道了！

 

 

这个被称为骰子屋（The dice house)，是一个9*9*9米的立方体。一个紧挨着一个，中间被坚固的墙所分开。每一个都被水平分成三层，在巨大的型同"伞"状的热塑型的屋顶下，所展示的是草坪屋顶和温室空间。cool!

 

说不定他就是下一代的房屋呢！呵呵

 

信息来源：sybarite

 

 

啊，天啊！是个人眼。真的好恶心。

 

疑？等一下。不对，是个假眼。

 

完全正确。由Ocularist Kim Erickson设计的这款人工眼现在已完全面向客户，专门针对那些在疾病或是在事故中失去眼睛的患者。

 

信息来源：spokesmanreview

 

真的是千呼万唤始出来。前不久就有关于Apple公司要推出iphone的消息，直到今天才露出他的庐山真面目。

 

据Apple公司透露今年仅限量装运400万部iphone手机。预计到2008年装运的总销售量将达到1200万部。

 

不管如何，喜欢iphone的朋友们就很快在市面上看到这款不错的手机了。

 

看看下面的视频吧

信息来源：Merrill Lynch: iPhone shipments to total four million this year

五招教你穿出个性。

 

 

第一招：冲撞对比色

 

 

第二招：个性单品

 

 

第三招：混搭叠穿

 

 

第四招：袜裤必备

 

 

第五招：风格对比

 

信息来源：太平洋女性网